The tinker in his burial tree was a wonder to the birds. The vultures that came by day to nose with their hooked beaks among his buttons and pockets like outrageous pets soon left him naked of his rags and flesh alike. Black mandrake sprang beneath the tree as it will where the seed of the hanged falls and in spring a new branch pierced his breast and flowered in a green boutonniere perennial beneath his yellow grin. He took the sparse winter snows upon what thatch of hair still clung to his dried skull and hunters that passed that way never chanced to see him brooding among his barren limbs. Until wind had tolled the tinker’s bones and seasons loosed them one by one to the ground below and alone his bleached and weathered brisket hung in that lonesome wood like a bone birdcage.”


-Cormac McCarthy, Outer Dark

Holding his knife, the bearlike Mongolian officer looked at Yamamoto and grinned. To this day, I remember that smile. I see it in my dreams. I have never been able to forget it. No sooner had he flashed this smile than he set to work. His men held Yamamoto down with their hands and knees while he began skinning Yamamoto with the utmost care. It truly was like skinning a peach. I couldn’t bear to watch. I closed my eyes. When I did this, one of the soldiers hit me with his rifle butt. He went on hitting me until I opened my eyes. But it hardly mattered: eyes open or closed, I could still hear Yamamoto’s voice. He bore the pain without a whimper–at first. But soon he began to scream. I had never heard such screams before: they did not seem part of this world. The man started by slitting open Yamamoto’s shoulder and proceeded to peel off the skin of his right arm from the top down–slowly, carefully, almost lovingly. As the Russian officer had said, it was something like a work of art. One would never have imagined there was any pain involved, if it weren’t for the screams. But the screams told the horrendousness of the pain that accompanied the work.

Before long, the entire skin of Yamamoto’s right arm had come off in a single thin sheet. The skinner handed it to the man beside him, who held it open in his fingertips, circulating among the others to give them a good look. All the while, blood kept dripping from the skin. Then the officer turned to Yamamoto’s left arm, repeating the procedure. After that he skinned both legs, cut off the penis and testicles, and removed the ears. Then he skinned the head and the face and everything else. Yamamoto lost consciousness, regained it, and lost it again. The screams would stop whenever he passed out and continue when he came to again. But his voice gradually weakened and finally gave out altogether. All this time, the Russian officer drew meaningless patterns on the ground with the heel of his boot. The Mongolian soldiers watched the procedure in silence. Their faces remained expressionless, showing neither disgust nor excitement nor shock. They watched Yamamoto’s skin being removed a piece at a time with the same kind of faces we might have if we were out for a stroll and stopped to have a look at a construction site.

Meanwhile, I did nothing but vomit. Over and over again. Long after it seemed there was nothing more for me to bring up, I continued to vomit. At last, the bearlike Mongolian officer held up the skin of Yamamoto’s torso, which he had so cleanly peeled off. Even the nipples were intact. Never to this day have I seen anything so horrible. Someone took the skin from him and spread it out to dry the way we might dry a sheet. All that remained lying on the ground was Yamamoto’s corpse, a bloody red lump of meat from which every trace of skin had been removed. The most painful sight was the face. Two large white eyeballs stared out from the red mass of flesh. Teeth bared, the mouth stretched wide open as if in a shout. Two little holes were all that remained where the nose had been removed. The ground was a sea of blood.

-part of Lt. Mamiya’s Story from The Wind Up Bird Chronicle

by Haruki Murakami